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Diotima Classic (2008, with Gudrun Zapf von Hesse) revives Gudrun's Diotima from 1951.
Their typefaces include Endurance (2004, Steve Matteson, an "industrial strength" Grotesk designed to compete with Helvetica and Arial; it supports Greek, Cyrillic and East European languages). This savings in space by reusing pierces of font outlines is useful for high quality (scalable) fonts on mobile devices and digital TVs. [ Commercial Japanese truetype fonts (kanji) by Masahiro Suzuki. [ Yasutaka Sato's free techno and/or pixel fonts made between 20 include Asos19101357, Asos19101357Bold Italic, Asosbeats01, Curvic, Curvic Oblique, HDF, Lignor, Linernix, and Thundercity. And unlike other compact font formats, such as stroke or stick fonts, the quality of Ascender Compact Asian Fonts is such that no embedded bitmaps are necessary for typical screen sizes. A partial list of their fonts, all made in 2004: 53Seed Extended, 53Veda, 53Veda Extended, 55Kana, 55Kana Extended, 75Naga, 75Naga Extended, 76Naga Bold, 76Naga Bold Extended, 88Zen.Its founders are Steve Matteson (type designer, formerly with Agfa/Monotype), Thomas Rickner (of Microsoft fame, where he hinted many Microsoft families), Ira Mirochnick (founder and President of Monotype Typography Inc in 1989 (where he was until 2000) and a Senior Vice President and director of Agfa Monotype Corporation (2000-2003), a self-proclaimed expert in font licensing issues and IP protection), and Bill Davis (most recently the Vice President of Marketing for Agfa Monotype).Also included in this group are Josh Hadley, Brian Kraimer, Jim Ford (since 2005), and Jeff Finger (as Chief Research Scientist, since 2006).
Ascender's version of the CJK font Heiti is called ASC Heiti.